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Along the way they pick up a wayward hitchhiker who proceeds to mutilate himself, intimidate them and is thrown out of the van. The Texas Chainsaw Massacre tells the story of Sally, her brother Franklin and their friends who pile into a van in the blistering Texas heat to inquire about a relative’s grave. The slasher film would evolve into a formula of highly sexualized, graphic violence with minimal plot and buckets of blood and a key Final Girl who outlives her teenage counterparts and emerges from the horrific events a changed woman. 2 Tobe Hooper’s The Texas Chain Saw Massacre (1974) was one of the first to pioneer the ‘slasher horror’ genre.
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1 Films such as Night of the Living Dead (George Romero, 1968), Carrie (Brian De Palma, 1976) and Halloween (John Carpenter, 1978) championed this move into a new age of postmodern horror that challenged both the viewer and societal norms. Audiences were no longer being told of the horrors being perpetrated around the corner but were being shown them directly. In 1968 the American horror genre drastically changed from the days of Boris Karloff and Vincent Price, of castles, ghosts and stormy nights, to an unvarnished, raw and straightforward form of horror. Langlois Volume 20, Issue 7 / July 2016 16 minutes (3826 words) The Vernal, The Visceral and The Violent: The Texas Chain Saw Massacre and The Final Girlīy Justin H.
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#Texas chain saw massacre real story tv
Plan your screen time with the weekly What to Watch newsletter, with film, TV and streaming reviews and more. Hats off (and heads off) to the film’s creators. In a franchise rife with missteps, this sequel does not dishonour its source. And while the film thankfully doesn’t resort to jokey moments meant for the Clearasil set, a bus scene with a bunch of cellphone photographers is hilarious and slick in its commentary. The howling metallic soundscape by Montreal-based musician Colin Stetson is superb. The pacing is perfect – you don’t need a chainsaw to cut the tension, any knife (or corkscrew, as it turns out) will do. Texas Chainsaw Massacre mostly stays in its gory lane – it’s not a mainstream-crossover candidate in the vein of Jordan Peele’s high-class horror films Get Out and Us. A survivor of a gun-shooting mass murder at a school, Lila, like the haunted Sally, is a traumatized female victim of extreme toxic masculinity. The film’s protagonists are Melody, a young entrepreneur (played Sarah Yarkin), and her teenaged sister Lila (Elsie Fisher). Distressed over her possible eviction, the woman succumbs to a fatal heart attack. She lives there with her large adult son, Leatherface – a psycho, in the parlance of Hitchcock. There’s a dispute with an old woman over the ownership of a house. Fans of 14th-century Italian poetry will be hip to the allusion. They’re idealists, with a notion of revitalizing the ghost town. It begins with carload of young influencers arriving in the deserted Texas village of Harlow. The screenplay here is based on a story developed by Fede Álvarez and Rodo Sayagues, the creative team behind 2013′s Evil Dead and 2016′s Don’t Breathe. (Think Jamie Lee Curtis’s character in last year’s Halloween Kills, but with a southern drawl.) Sally keeps a snapshot of the old gang on her to keep the bloodlust alive. She’s played by Olwen Fouéré now – a hardboiled cowgirl hellbent on avenging the slaughter of her friends all those decades ago. A sepia-toned news brief is meant to heighten the fright by establishing a true-crime conceit.īeyond the Larroquette-voiced narrator and the maniac Leatherface, the other character brought back is Sally Hardesty, the lone survivor of the first massacre. Yana Blajeva/Legendary / Courtesy of Netflixĭavid Blue Garcia’s Texas Chainsaw Massacre acknowledges the Tobe Hooper-directed original by bringing back John Larroquette to narrate the opening of the film, as he did in 1974. Olwen Fouéré as Sally Hardesty in Texas Chainsaw Massacre.